painted Christ gathering his clothes after the Flagellation in 1798  Related Paintings of Diego de Carpio :. | King Candaules | Louisiana Live Oaks Audubon Park | Lady in Red, | The Artist's Garden at Giverny (san30) | Port After Stormy Seas |
Related Artists:
Henry Merwin Shrady
American Sculptor, 1871-1922,was the sculptor of the Ulysses S. Grant Memorial in Washington, D.C. Shrady was born in New York City. His father, George Shrady, was one of the physicians who attended former president Ulysses S. Grant during the struggle with throat cancer that led to his death on July 23, 1885. Shrady graduated from Columbia University in 1894 and spent one year thereafter at Columbia's law school. He left law school to join with his brother-in-law, Jay Gould (son of millionaire Edwin Gould, the financier), at the Continental Match Company. The company failed and Shrady contracted typhoid fever which diverted him forever from the business world. His recuperation left spare time to pursue a growing interest in art. Shrady's wife, Harrie Moore, submitted some of his paintings to an exhibition of the National Academy of Design without his knowledge and they sold quickly. He then began to teach himself sculpture using zoo animals and his pets as models. Shrady and architect William Casey Pearce won the competition to build the Ulysses S. Grant Memorial in 1902. In the twelve years Shrady spent executing the memorial, he studied biology at the American Museum of Natural History and dissected horses to gain a better understanding of animal anatomy.
Henri van Assche
born at Brussels in 1774, showed from his earliest years a predilection for painting, and received from his father, who was a distinguished amateur artist, the first principles of design and perspective. He was afterwards placed with Deroy of Brussels, from whom he received further instructions in painting. Journeys in Switzerland and Italy contributed to develop his talent as a landscape painter. His great partiality for representing waterfalls, mountain streams, and mills gained for him the name of 'The Painter of Waterfalls.' Several pictures by him may be seen in public and private collections of Brussels, Ghent, Lille, and Haarlem, some of which are enriched with figures and animals by Ommeganck. He died at Brussels in 1841.
Edward Burne Jones
Sir Edward Coley Burne-Jones, 1st Baronet (28 August 1833 - 17 June 1898) was a British artist and designer closely associated with the later phase of the Pre-Raphaelite movement, who worked closely with William Morris on a wide range of decorative arts as a founding partner in Morris, Marshall, Faulkner, and Company. Burne-Jones was closely involved in the rejuvenation of the tradition of stained glass art in England; his stained glass works include the windows of St. Philip's Cathedral, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Martin's Church in Brampton, St Michael's Church in Brighton, Cumbria, the church designed by Philip Webb, All Saints, Jesus Lane, Cambridge and in Christ Church, Oxford. Burne-Jones's early paintings show the heavy inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice". In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right, and he was taken up as a herald and star of the new Aesthetic Movement. In addition to painting and stained glass, Burne-Jones worked in a variety of crafts; including designing ceramic tiles, jewellery, tapestries, mosaics and book illustration, most famously designing woodcuts for the Kelmscott Press's Chaucer in 1896. Edward Coley Burne Jones (the hyphen came later) was born in Birmingham, the son of a Welshman, Edward Richard Jones, a frame-maker at Bennetts Hill, where a blue plaque commemorates the painter's childhood. His mother Elizabeth Coley Jones died within six days of his birth, and he was raised by his grieving father and the family housekeeper, Ann Sampson, an obsessively affectionate but humorless and unintellectual local girl. He attended Birmingham's King Edward VI grammar school from 1844 and the Birmingham School of Art from 1848 to 1852, before studying theology at Exeter College, Oxford. At Oxford he became a friend of William Morris as a consequence of a mutual interest in poetry. The two Exeter undergraduates, together with a small group of Jones' friends from Birmingham known as the Birmingham Set, speedily formed a very close and intimate society, which they called "The Brotherhood". The members of the Brotherhood read John Ruskin and Tennyson, visited churches, and worshipped the Middle Ages. At this time Burne-Jones discovered Thomas Malory's Le Morte d'Arthur which was to be so influential in his life. At that time neither Burne-Jones nor Morris knew Rossetti personally, but both were much influenced by his works, and met him by recruiting him as a contributor to their Oxford and Cambridge Magazine which Morris founded in 1856 to promote their ideas.[